diff --git a/acl.cool/site/draft/umbral10.dj b/acl.cool/site/draft/umbral10.dj
index 586a8db..4953095 100644
--- a/acl.cool/site/draft/umbral10.dj
+++ b/acl.cool/site/draft/umbral10.dj
@@ -1 +1,2 @@
-# Umbral Gaze 10: Necromaniac
\ No newline at end of file
+# Umbral Gaze 10: Necromaniac
+
diff --git a/acl.cool/site/home/index.dj b/acl.cool/site/home/index.dj
index e69de29..350d046 100644
--- a/acl.cool/site/home/index.dj
+++ b/acl.cool/site/home/index.dj
@@ -0,0 +1 @@
+Hi, it's [me](toaq).
\ No newline at end of file
diff --git a/acl.cool/site/home/toaq.dj b/acl.cool/site/home/toaq.dj
index c9fe025..042a18b 100644
--- a/acl.cool/site/home/toaq.dj
+++ b/acl.cool/site/home/toaq.dj
@@ -5,7 +5,7 @@
 
 This is as much for my own recollection as for the information of anyone else.
 
-- I write with [prefix reform](), but use official pronunciation.
+- I write with [prefix reform](https://toaq.me/Prefix_reform), but use official pronunciation.
 
 - I don't like ditransitivity; you'll see me use « [ôı](https://toadua.uakci.space/#o%C4%B1%20@salarua) » a lot.
 
@@ -17,7 +17,7 @@ This is as much for my own recollection as for the information of anyone else.
 
 - I use ["some scope creep"](https://toaq.me/Some_Scope_Creep).
 
-- I use (roughly) one syntax for modals and adjuncts, which is to say that I sometimes front adjuncts and sometimes interpose modals. For example: « Kûı, ꝡá maı jı́ nháo, nä shao gaq jı́ nháo da. Jıa pua gaq jı̂ nháo, dâı shao nháo, lá he maıgeq já jı́ da. » Shúq roadue ní da.
+- I use (roughly) one syntax for modals and adjuncts, which is to say that I sometimes front adjuncts and sometimes interpose modals. For example: « **Kûı**, ꝡá maı jı́ nháo, nä shao gaq jı́ nháo da. Jıa pua gaq nháo jí **dâı**, ꝡä shao nháo, lá he maıgeq já jı́ da. » Shúq roadue ní da.
 
 - I consider « bo-{.toaq-latin} » to be a true-passivizer and so use « tı-{.toaq-latin} » for "inverse voice".
 
@@ -26,6 +26,8 @@ This is as much for my own recollection as for the information of anyone else.
 
 - I trust ꝡé moı [Kı́a](https://robin.town) hóa râq "degree words"; Kía finds that degree words need distinct grammar.
 
-{% Chua máo mó Alexander teo rú mó Alegaqde teo jı́ da. %}
+- I sometimes extrapose subclauses with the cataphoric « có ».
 
-Pimna, romfıeqche jı́. Chıejı jı́ ké dıu po 
+- I use « na » to terminate full complementizer phrases and « ga » to terminate reduced complementizer phrases, including incorporated objects.
+
+- I also use « ca- » to echo-resumptively terminate subclauses.
diff --git a/acl.cool/site/writings/mayola.dj b/acl.cool/site/writings/mayola.dj
index d2e826e..c5742b1 100644
--- a/acl.cool/site/writings/mayola.dj
+++ b/acl.cool/site/writings/mayola.dj
@@ -1,4 +1,4 @@
-# Ignominious Archivist, Mayola Ekris
+# Ignominious Archivist, Mayola
 
 From budding academic to tender of records, so goes the arc of Mayola Ekris' life. People always said the young tiefling would do great things, and her admission into one of the top magic school of Waterdeep, the Watchful Order of Magists and Protectors, seemed to poise her to fulfill all those lofty expectation. The study of planetouched--- not just beings affected by extraplanar contact, but plants, animals, objects--- always fascinated her, but as the work grew more strenuous and its concomitant obligations more demanding, Mayola had less and less patience for the wearying responsibilities of course. She couldn't find it in her to do things like showing up to meetings, collaborating with other departments, and spending her research grants according to their proposals. She wasn't surprised when the board fired her.